A prizewinner in the 2015 AESS Patricia Routledge English Song Competition, David Jones is equally at home in song, oratorio and opera. He has a particular interest in new music, and has given premieres of works by Nick Bicât, Stephen Deazley, Louis Mander and Josh Spear.
Recent highlights have included Papageno in Die Zauberflöte and Guglielmo in Così fan tutte for the Lyric Opera Studio Weimar and touring the UK as part of Joshua Sofaer’s innovative Opera Helps project, which received significant media attention. He is a soloist on Yehudi Menuhin’s Live Music Now scheme.
With Teatime Opera he has broken new ground in Unknowing, an ambitious staged interweaving of Dichterliebe and Frauenliebe und -Leben in a new English translation by David Parry, which will receive more performances in late 2016. His recitals have included explorations of major song cycles by Finzi, Vaughan Williams and Schumann, alongside lesser-known works by Bliss and Sullivan, and he enjoys a fruitful ongoing collaboration with Cantata Dramatica, with whom he has given the first performances of four substantial works.
On the opera stage he appeared as Ko-Ko in an acclaimed production of The Mikado with Co-Opera Co., in which "his deadpan sense of humour and immaculate timing proved irresistible" (Opera magazine) and his little list was "brilliantly delivered with hangdog deadpan" (Opera Now).
Other operatic roles have included Jesus in Jonathan Harvey's Passion and Resurrection (Voices of London Festival), Edward VIII in the premiere of Josh Spear's That Woman (Tête-à-Tête Festival), Pritschitsch in The Merry Widow (Opera Danube) and Jamie in The Sleeper (world premiere with Welsh National Youth Opera). For Oxford Chamber Theatre he played Ariel in The Tempest and the title role in Hamlet.
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